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Dreams come true for Richards My earliest dream was to be a photographer. That came true. Then I dreamed, “How about making movies?” So I wrote and directed one — dreams becoming reality. I dreamed of making a hit that would be enjoyed by millions, which came true with Tootsie. A Golden Globe win and Academy Award nomination motivated me to keep dreaming. How about...a Broadway play? Photos of Dick Richards Filmography / Stills Tootsie (1982) Farewell, My Lovely (1975) The Culpepper Cattle Co. (1972) March or Die (1977) Rafferty and the Gold Dust Twins (1975) Man Woman and Child (1983) Death Valley (1982) Heat (1986) Photography & Advertisements

Rock Hudson 1965 Levy's, Buster Keaton 1961 Romy Schneider Polaroid, The 60-second excitement 1968 Kirk Douglass 1965 Esquire, 'Jack Ruby' 1967 Volkswagon, Don't Laugh 1966 Esquire, 'Unionize the Army' 1968 Alain Delon Zero Mostel, Buster Keaton & Jack Gilford 1966 Mobil, Fresh-killed Chicken 1966 Romy Schneider & director Jules Dassin Terlenka 1968 George Hamilton with his mother Volkswagon, Paul Newman 1968 Volkswagon, Paul Newman 1968 El Al Airlines 1965 Michael Crawford with his son Acrilan Blanket, Rock Hudson 1965 Acrilan Blanket, Kirk Douglass 1965 Young and Rubicon showcase 1960's Young and Rubicon showcase 1960's Photography Dick Richards began his illustrious career in the 1960’s, becoming a world-renowned photographer and commercial director during the advertising revolution. His work captured the essence of American life, drawing inspiration from Norman Rockwell. His iconic photographs have been featured in prestigious institutions, including New York's Museum of Modern Art and the Smithsonian Institute. Richards worked with top clients, including Coca-Cola, Volkswagen, Polaroid, General Motors, Hertz, and Pepsi. His innovative style garnered numerous awards, including the coveted Cannes Lion, multiple Clio Awards, and New York Art Directors Awards, establishing him as a leading figure in the industry before he transitioned to filmmaking.

ALL (11) 11 posts Film (8) 8 posts Interview (2) 2 posts Article (0) 0 posts Photography (1) 1 post Tootsie (1982) Farewell, My Lovely (1975) The Culpepper Cattle Co. (1972) March or Die (1977) Rafferty and the Gold Dust Twins (1975) Man Woman and Child (1983) Death Valley (1982) Heat (1986) Tootsie (1982) Golden Globe award-winning Comedy film starring Dustin Hoffman & Jessica Lange. Golden Produced by Dick Richards. Farewell, My Lovely (1975) Film noir starring Robert Mitchum, Charlotte Rampling, and Sylvia Miles - winner Best Supporting Actress. Directed by Dick Richards. The Culpepper Cattle Co. (1972) Western film starring Gary Grimes, Billy Green Bush, Luke Askew. Nominated for WGA Award, Best Drama. Written and directed by Dick Richards. March or Die (1977) War epic film starring Gene Hackman, Catherine Deneuve, Terence Hill, Ian Holm. Written, directed and produced by Dick Richards. Rafferty and the Gold Dust Twins (1975) Comedy film starring Alan Arkin, Sally Kellerman, Mackenzie Phillips and Harry Dean Stanton. Directed by Dick Richards. Man Woman and Child (1983) Drama film starring Martin Sheen, Blythe Danner. Winner, Young Artist Award, Best Young Supporting Actress. Directed by Dick Richards. Death Valley (1982) Horror film starring Paul LeMat, Catherine Hicks, Wilford Brimley, Peter Billingsley. Directed by Dick Richards. Heat (1986) Action Thriller film starring Burt Reynolds and Peter MacNicol. Written by William Goldman. Directed by Dick Richards & Jerry Jameson.

"The Culpepper Cattle Co." Credits: Director, Writer, Cinematographer Starring: Gary Grimes, Billy Green Bush, Luke Askew Studio: Twentieth Century Fox Release: 1972 Set in the rugged backdrop of a1866 cattle drive, the movie captures the harsh realities and moral complexities of the era, setting it apart from more romanticized Westerns. The narrative follows the journey of young Ben Mockridge (Gary Grimes), who learns the brutal lessons of the frontier under the mentorship of reformed gunslinger Frank Culpepper (Billy Green Bush). Young Ben years for cowboy life, and joins Culpepper's cattle drive - a dangerous and deadly journey during an era marked by extreme, everyday violence. Through shootouts with outlaws and cattle rustlers, horse theft and standoffs, Ben faces increasingly violent odds, and eventually becomes disillusioned with the cowboy dream. Accolades 1973 Nominee WGA Awards, Best Drama written directly for Screen 1973 Nominee SIYAD Award, Best Foreign Film Dick Richards makes an impressive entry into the world of filmmaking with his directorial debut "The Culpepper Cattle Co." How many men do you have to kill before you become the great American cowboy? He would go on to become known for a unique storytelling ability and attention to detail, and Richards brought a level of authenticity and grittiness to the revisionist Western genre that resonated with audiences and critics alike. About the Film Richards’ vision for "The Culpepper Cattle Co." was one of stark realism, reflected in the film's grainy photography and sepia tones. The film's unflinching portrayal of violence and justice in the West, combined with Richards' ability to draw compelling performances from his cast, garnered critical acclaim and established his reputation as a filmmaker capable of blending raw, realistic storytelling with engaging cinematic experiences. Notable also as his first collaboration with Jerry Bruckheimer, this debut set the stage for Richards' future success and left an indelible mark on the Western genre. Reviews “The Culpepper Cattle Co. puts across… gruff insights about a way of life now long past.” – Jay Cocks, Time Magazine

"Rafferty and the Gold Dust Twins" Credits: Director Starring: Alan Arkin, Sally Kellerman, Mackenzie Phillips and Harry Dean Stanton Studio: Warner Brothers Release: 1975 Rafferty, a disheartened, bourbon-swilling former Marine turned driving instructor (Alan Arkin) is carjacked by two peculiar women: “Mac” (Sally Kellerman) an ambitious, free-spirited aspiring country singer, and her young, irritable companion Frisbee (Mackenzie Philips). Despite his initial reluctance, Rafferty is swept up in a hapless adventure, aiming for New Orleans. The trio's journey quickly evolves into a series of misadventures, from Las Vegas to Tucson, Arizona, as they scam their way through the Southwest. With each city, their unlikely bond deepens, driven by shared escapades and the pursuit of a vague yet promising future. "Rafferty and the Gold Dust Twins" is a madcap road-trip comedy with plenty of heart Rafferty wasn’t going anywhere anyway... Showcasing Richards’ talent for blending humor and character-driven storytelling, "Rafferty and the Gold Dust Twins" is a road trip journey filled with misadventures and scams. Another collaboration with associate producer Jerry Bruckheimer, the movie received positive reviews for its engaging narrative and Richards' deft directorial touch. The film includes Sally Kellerman's performance of the song "It Wasn't God Who Made Honky Tonk Angels". Reviews “...belly laughs and lots of chuckles.” ~ Richard F. Shepard, New York Times "Rafferty and the Gold Dust Twins" sneaks up on you – you discover it, like a ‘sleeper.’ I found it a funny, velvety film, with the kind of tenderness that you can almost feel on your fingertips. The picture isn’t directed for straightforward excitement; it’s a sidewise vision. Dick Richards is a real southpaw. ~ Pauline Kael, New Yorker

"Farewell, My Lovely" Credits: Director Starring: Robert Mitchum, Charlotte Rampling, John Ireland and Sylvia Miles Studio: Avco Embassy Pictures Release: 1975 Set against the shadowy streets of 1941 Los Angeles, "Farewell, My Lovely" follows private detective Philip Marlowe (Robert Mitchum), hired by recently-paroled bank robber Moose Malloy to find his long-lost love, as he navigates through the murky layers of the city's criminal world. Bolstered with classic noir voice over, Marlowe runs into some shady characters, including the seductive Helen (Charlotte Rampling), who definitely has a secret or two... Replete with ruthless mobsters, corrupt officials, and duplicitous lovers, the film follows Marlowe while he untangles an intricate web of lies that challenges his own sense of justice. Accolades Academy Award, Best Supporting Actress, Sylvia Miles,1976 Edgar Allan Poe Awards, Best Picture, 1976 Richards elevates classic noir with "Farewell, My Lovely" starring Robert Mitchum I need another drink. I need a lot of life insurance. I need a vacation. And all I’ve got is a coat, a hat and a gun... This critically-acclaimed adaptation of Raymond Chandler’s classic noir novel, “Farewell, My Lovely” stars Robert Mitchum as the iconic detective Philip Marlowe. Richards' direction style would continue to focus on character performances, cementing his legacy as an "actor's director." About the Film Richards had an instinct for authentic 1940's drama, and his version of Marlowe followed DiMaggio's hitting streak while dodging punches and chasing justice. His vision breathed new life into classic characters, and Mitchum said of the movie, "This kid Richards, the director, he's got something. It'll be a good picture." Sylvia Miles portrayal of the washed-up Mrs. Florian earned a Best Supporting Actress Oscar, and the film won Best Picture from the Edgar Allen Poe Awards in 1976. Reviews “Dick Richards proves he’s a blockbuster of a talent. I think [Farewell, My Lovely] was the kind of movie Bogart would have stood in line to see.” ~ Rex Reed, New York Post "These opening shots are so evocative of Raymond Chandler's immortal Marlowe, archtypical private eye, haunting the underbelly of Los Angeles, that if we're Chandler fans we hold our breath. Is the ambience going to be maintained, or will this be another campy rip-off? Half an hour into the movie, we relax. Farewell, My Lovely never steps wrong...in the genre itself there hasn't been anything this good since Hollywood was doing Philip Marlowe the first time around. One reason is that Dick Richards, the director, takes his material and character absolutely seriously. He is not uneasy with it, as Robert Altman was when he had Elliott Gould flirt with seriousness in The Long Goodbye. Richards doesn't hedge his bet." ~ Roger Ebert, Chicago Sun-Times "Mitchum...plays Marlowe with a delicious ease. He sounds just like Marlowe should sound." ~ Gene Siskel "The film's success lies in Mitchum's hard-boiled portrayal of Marlowe, its twisty plot and the moody atmosphere it creates through John A. Alonzo's photography. Los Angeles looms as a nighttime playground for hoods, beautiful women and suckers ready to be taken by all the glitzy signs leading them astray." ~ Dennis Schwartz Ebert, R. (1975, January 1). Farewell, My Lovely. *Chicago Sun-Times*. Ebert, R. (1975, June 17). Robert Mitchum: "Bring me a Miltown, sweetheart." *Roger Ebert*. Siskel, G. (1975, August 22). Mitchum turns a remake into a 'lovely' experience. *Chicago Tribune*, Section 3, p. 3. Schwartz, D. (2019, August 5). Farewell, My Lovely. *Dennis Schwartz Movie Reviews*.